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July 23, 2012 - Comments Off on The MechCast 202: I’m Analog, I’m Digital

The MechCast 202: I’m Analog, I’m Digital

The Mechanism brings a unique perspective to interactions with our clients and team. This frame of reference was recently clarified during a conversation with a colleague from a previous job. The two of us have been in the interface industry, arguably since it began in the early 90’s, giving us a different outlook on the design and interactions with clients which produce enlightened creative solutions.

He said, “Dave, we understand the concept of being Digital, while we each possess very Analog dispositions.”

I know what he meant. He was referring to the fact that we had grown up and lived in a world that was once not Digital. We both understood what communication was before personal communication devices. We had experienced the multiple connection revolutions of the 90's, when mobile networks made it affordable to evolve from a device called a "Pager" to a "cellular phone" to "Palm Pilot" to "smartphone". We understood what it meant to spec and order type before we became typographers and we knew how creative solutions were delivered to clients before the computer became the tool that turned everyone into a graphic designer. Rather than standing by complacently observing a communication and creative revolution take place in our lifetime, - we had both chosen to become "Digital" as our lifestyle and profession, yet brought all of the foresight and understanding of what it meant to be "Analog" along for the ride. It’s a rarity that we avoided becoming Luddites or at least individuals that stopped thirsting for the continual influx of wired knowledge, advancing us to become more Digital creatures, while simultaneously holding on to what it meant to be Analog human beings.

It’s a rarity that we avoided becoming Luddites or at least individuals that stopped thirsting for the continual influx of wired knowledge, advancing us to become more Digital creatures, while simultaneously holding on to what it meant to be Analog human beings.

This is an interesting perspective for many reasons, but I believe that my colleague also inadvertently hit on why perhaps, The Mechanism has managed to grow as a collaborative and successful digital agency for 11 years.

Being “Digital” forces us to understand how all User Experiences best translate across myriad devices, as now a days we can get different types of translation services online in sites such as https://www.espressotranslations.com/gb/certified-translation-services-london/ thanks to the digital age. Programmers in the Digital space must know the solution before the client even asks the question. It’s also vital that "Digtalists" are generating The Wave and not simply riding it's crest - which is why people that work at The Mechanism are expected to stay ahead of future programming and technical trends.

Being completely Digital, however can make us all a bit apathetic. Communicating with only a buffer of pixels between two human beings breeds misinterpretation.

The human component vital to conversation tends to curtail any miscommunication or misinterpretation that occasionally occurs within the singularly Digital realm.

As soon as you incorporate the concept of being “Analog” – or what I believe is an organic and human component to how we actually do business – that’s when you have something really special.

Despite our swift evolution to being Digital humans, we still perceive the world in Analog. Everything we see and hear is a continuous transmission of information to our senses. I’m much more comfortable walking up to someone in the office to discuss an interface or design solution than to carry on a conversation through Skype (no matter how many "(mooning)" emoticons I can successfully squeeze into a single chat).

The human component vital to conversation tends to curtail any miscommunication or misinterpretation that occasionally occurs within the singularly Digital realm. And that goes for clients as well – while I happily communicate using email or other means of digital services to solve problems, I am best suited (as humans all are) for natural, face-to-face interaction. Until our facial expressions and body language are translated in the Digital realm via real-time color, patterns or background sound recognized by your digital communication device, we won't begin to scratch the surface of everything that Analog communication can accomplish.

In his statement I alluded to above, my friend Jon touched upon the core of what truly can separate a great technical or visual agency from a simply great agency, period. I’d much rather work with clients that I could sit down and have a drink with after work, than simply shift pixels back and forth with. While I rarely get the chance to spend this kind of quality time with clients, it remains the core of what makes us all beautifully vulnerable and what keeps me striving to hold on to Analog traits in an increasingly Digital reality.

Notably this minor revelation occurred between two humans, born Analog, reared Digitally, both communicating without filters over a couple beers at a pub.

More importantly, no "0's" or "1's" were harmed during our conversation.

Published by: davefletcher in The Mechcast
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May 1, 2012 - Comments Off on I Am The Emperor of the Sidewalk

I Am The Emperor of the Sidewalk

If you think the Mayans and their wacky prophesies are a "Gas, Gas, Gas", then you'll also be undoubtedly impressed by my recent conclusion... I hereby decree that we've come to the point in our evolutionary slog from amoeba to bigger, sloppier amoebas - that human beings must universally hate each other.

What else could rationally explain the malaise and disinterest that slips over us, whether we're on the subway, in our vehicles, sitting in our offices or in our living rooms? We don't communicate face-to-face anymore. And the lessening of any primordial desire to do so can only indicate that we despise each other so much, that we'd rather become lost in our small selves than actually be part of society at large.

Thanks to powerful little smartphones that entertain us significantly more than another human ever could, we tragically meander through life shackled to tiny devices that really don't love us (no matter how many times Siri tells me she does). With our newfound ability to fully check out of society, we no longer have to even acknowledge the poor buffoon sitting next to us on the subway who simply wants to use his vocal chords to connect with a fellow human by uttering some reverberating jibber-jabber through the twin infoldings of mucous membrane stretched horizontally across his larynx.

Where neanderthals used to enjoy each others' company by carelessly uttering nonsense about their meaningless lives and pursuits, now thanks to some noise-cancelling Beats and Vimeo, our private entertainment bliss is endless. Put your head down, tune out and bury yourself in bright, sparkly pixels. Enjoy the blissful ignorance of your surroundings.

I am the magnificent Emperor of the Sidewalk. Don't mind me, I'll be that asshole typing a text message while walking headfirst into a monstrous, deadly bear...

Dave Fletcher is the Executive Director at The Mechanism. No humans were ignored or harmed during the creation of this piece, despite the fact it was written on an iPhone during a subway ride. Dave has never texted while walking, running, driving, walking into bears or thinking about Mayans.

Published by: davefletcher in The Internal Mechanism
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November 18, 2011 - Comments Off on The Mechanism’s Dave Fletcher on the Mobile Web: PRSA 2011 International Conference

The Mechanism’s Dave Fletcher on the Mobile Web: PRSA 2011 International Conference

Thanks to patient and inquisitive Amy Jacques for once again, preserving my mobile ramblings for all of eternity...

Also a big thank-you to the Public Relations Society of America for being excellent hosts in Orlando this year.

Published by: davefletcher in The Internal Mechanism, The Thinking Mechanism

November 11, 2011 - Comments Off on Original Mojo

Original Mojo

I forgot my razor.

And by razor, I don't mean a Motorola RAZR, the now Jurassic 'flippity' phone from Motorola in 2004 (I never owned one). I forgot a shaving razor, and I was now officially nestled inside the compound of the JW Hilton Hotel, smack dab in the middle of Mickey's real wild kingdom - Orlando. I was in a Homo-Sapien-manufactured floating oasis surrounded on one side by the Grand Lakes (likely filled with revenous prehistoric gators, or at least Walt-influenced animatronic versions), another side by lush golf courses (filled with hungry prehistoric golfers...or at least Walt-influenced animatronic versions) and on the other two sides by miles of sprawling Disney highways, carbon-copy houses and venomous marshland.

I stumbled through the hotel with my backpack, freshly-pressed suit and suitcase filled with enough electronics, shampoo and styling liquids that two years ago would have put me in a prison cell at the local airport. The location of the 2011 PRSA International Conference was a veritable oasis amid the surrounding arid quagmire and if required, my now four-day-old beard growth would either have to do, or I would be forced to trek a mile in both directions to locate a drug store filled with the necessities that you simply couldn't find on my new artificial campus for the next four days and three nights - outside of the manufactured and pristine womb of the hotel into the void of reality...

Dave Fletcher speaking at the PRSA International ConferenceI was in Orlando to perform my song and dance about mobile technology - a presentation that was several months in the making. The trouble with speaking about a volatile subject like mobile technology is that by the time you've completed any draft of the presentation, some tablet or phone maker has dropped another law suit on another tablet or phone maker, rendering research not only suspect, but shifting the point of your presentation in an entirely different direction.

As smart mobile devices grow in global ubiquity, the two 800lb animatronic apes in the room (iOS and Android) have become increasingly similar on the surface. So similar in fact, that while Apple pioneered the organic inertia-guided sliding grid structure now associated with touch-screen smartphones, Android has based their overall touchy/slippery UI on the same structure - at times - right down to the curved buttons used to launch applications. Apple recently parried by stealing the sliding "Notification Center" for iOS 5 from Android. Watching these two companies fight over who can steal and subsequently spend heaps of money to sue and counter-sue each other is like observing two rodents fighting over a foam cheesehead hat. Neither understands that the prize they seek will effectively nourish either foe in the long run.

Some manufacturers have tried originality (Nokia 7600, anyone?) and failed - not just because the location of UI elements could probably cause arthritis, but because the masses have grown increasingly comfortable with conformity and less interested in the originator of the project or aesthetic providing they can have something reasonably similar and affordable. There will always be loyalists in either camp, but the truth is if you stand back and squint, a Motorola Droid 2 looks just like an iPhone, but at a significantly cheaper cost. You can do the same with the surge of tablets that have flooded the market. Once the Android system actually works with as much charm and stability as the iOS counterpart, why would someone pay for either an iPad or iPhone? While quality and aesthetic might be thrown around in that debate, the truth is, the majority of people don't care as much as you think about this stuff. They care about feeding their family, and if the best way to get what the cool kids have is to buy a knockoff, they will.

Sadly, it's becoming difficult to tell the difference between the two Kongs, with both operating systems vying to be King but losing sight of the innovative spirit that spawned the original. Microsoft thought out of the box, and while I don't anticipate that the Windows 7 phone will make a dent in either global Android dominance or iOS subtle innovation, they certainly created something that was uniquely different from the competition.

With all of that said, here's what I do know...

Walgreens is not a trek to be made in fancy speaking boots and jeans at 5pm in Orlando.

hotel mapBut that trek was exactly the challenge I took upon myself a few hours after arrival. This area wasn't made for a New Yorker - used to subways, non-animatronic oversized rodents, and proper cross-walks between sprawling highways. After walking about a mile to the nearest drug store (as seen in the above map) in a suit jacket (wardrobe FAIL), I discovered that the 6 lane highway that I needed to cross, had no cross-walks. A daunting highway flaw in my opinion, and once I realized that the majority of actual travel in the town that Mickey built, is done in air conditioned ozone depleting vehicles - my Frogger skills kicked in and I lept across the highway in a heart pounding and perspiration-inducing trot faster than you could say, "Hi-diddle-dee-dee." Once inside the drug store, I gathered my necessary bounty and waded through vicious locust swarms, swamps and skunk ape traps back to my hotel, settling down with wet shoes and a soggy disposition at the lobby watering hole for some locally brewed beer and sushi.

hotel mapThe next morning, attendees of the PRSA International Conference were treated to the double play of CNN's Soledad O'Brien's tales of news storytelling and Dr. Peter Diamandis' musings about space travel and prizes. Other bloggers surely have covered both Keynotes ad nauseum, so I won't bore you with my personal opinions on either of their presentations other than they were both delivered with professionalism and wit. Not many people know that The Mechanism designed two versions of The X Prize online - leading right up to Burt Rutan's SpaceShipOne prize-winning flight on October 4, 2004. It was good to spend a few choice moments reminiscing with the good Doctor after his talk, and one of the reasons I wanted to be at the conference this year.

In preparation for my talk "Maximizing Your Mobile Mojo: Making the Most of the Portable Web," I poured over years of data, deciding that individual data points are merely points that we need to connect. Surprisingly every time I settled on one bit of data or another, I would be sideswiped with some new finding or data that contradicted everything that I had already learned, in other words, this industry is moving faster than Kali River Rapids, so if you want to take a snooze, you'll likely lose.

I'll likely prepare a more glorified recap of my dog and pony show as we draw closer to my next one, which at the time of this writing looks to be for the PRSA Greater Fort Lauderdale Chapter in mid-January. Thanks to Kenneth Ma for the gracious invitation. I'm truly looking forward to it.

I'll leave you with a fact that you might not know. You can't buy gum in the Orlando airport. Anywhere. Look for it next time you are there, as the terminal has more places to buy artificial reproductions of mouse memorabilia than most malls. If you're caught chomping on it, expect to be brutally assaulted by the ambassador of Orlando, Sir Mouse himself - or perhaps an animatronic version. The kids don't care, as long as he's big, smiley and has a pair of those silly red underpants with giant buttons pulled up to his armpits.

We've become accustomed to accepting pale imitations of originals. Me - I'll take a floppy shoe-wearing furry genetically-altered rodent with red shorts and a dopey friend named Goofy over the foul hordes that hungrily size me up on the subway platform every night on my trip home from The Mechanism's NYC Creative Bunker.

But, who really knows the difference anymore?

Dave Fletcher is the Founding Partner of The Mechanism, a brand-focused digital agency with offices in New York, London and South Africa. He wants to thank Albert Chau, the photographer who sent over the photographs from the 2011 PRSA Conference and the fine staff of PRSA for a grand old time in Orlando. Dave carries an Android phone with him wherever he goes because he's disappointed that an iPhone5 hasn't been released yet. The good news is his 2-year old son knows an original from a shameless copy. He won't touch a Droid for his long excursions into Angry Birdland. He's an iPhone man all the way. Hope springs eternal...

Published by: davefletcher in The Thinking Mechanism

January 5, 2011 - Comments Off on The Future of your Digital Footprints

The Future of your Digital Footprints

In the future, you will carry your digital footprint with you wherever you go — and whatever type of device that you have will pick that up if you choose to make it available to somebody

I was interviewed about the future of Web design back in October, 2010 at the PRSA International Conference in Washington D.C.. Below is the video from the interview, which can be visually and aurally consumed at the source right here.

Thanks to the kind folks at PRSA for posting this interview on their Website and interviewer Amy Jacques for digitally capturing my ranting and raving for all of eternity.

Published by: davefletcher in The Thinking Mechanism

November 9, 2010 - Comments Off on Working at the Creative Workshop – Magical

Working at the Creative Workshop – Magical

A while back, I worked with a delightfully creative fella named David Sherwin (@changeorder) on his newly released book, Creative Workshop: 80 Challenges to Sharpen Your Design Skills. David had the monumental task of presenting a variety of challenges to a gaggle of designers - all meant to be quick and highly creative interpretations of individual challenges - much like a teacher dolling out projects to students at the last minute, curating them, and finally, organizing the copy to support the designs. Well, it turns out that putting a deadline of 90 minutes on a project and taking out the financial rewards that occasionally come with the practice graphic design, actually enables you to develop some fairly exciting stuff, as documented in Mr. Sherwin’s new book from the good folks at HOW Design Press. As far as I can recall, in addition to doing all the heavy lifting involved with writing a book these days, David also was self-tasked with doing some design as well.

I just got a chance to revisit the logo design I created for the Global Magic Society, (one of David's cheeky challenges for the book), by happening upon a blog post at changeorder.com - part of the marketing for Creative Workshop: 80 Challenges to Sharpen Your Design Skills. As it turns out, it was an otherwise creatively productive use of 90 minutes of my day.

The proof of my contribution to Creative Workshop: 80 Challenges to Sharpen Your Design Skills is documented at this link and on the Print Website for your enjoyment. While you’re reading about my small contribution to this magnificent tome of creative hutzpah, get yourself over to Amazon to order your very own fancy copy, printed on glorious slices of tree.

http://www.printmag.com/design-inspiration/this-weeks-challenge-trompe-loh-wow/

October 28, 2010 - Comments Off on Well, Look at Mr. Social Media Tough Guy

Well, Look at Mr. Social Media Tough Guy

So, I recently returned from what could best be described as descent into confusion, madness and finally, utter euphoria. You see, I’ve just completed what some PR folk might call a “media tour” and others would refer to as a Mr. Magoo-like dodder-fest through the dark world of socialized media into the enlightening universe of pure communal interaction with some very intelligent and creative folks at the PRSA International Conference in Washington D.C.. Not only did I speak at the PRSA International Conference and do a video interview right after I finished, but I also did an interview with the brilliant Eric Schwartzman, host of “On the Record…Online,” penned a blog post at PRSA.org and led a webinar about social media – all within a 6 week timeline.

But let’s start from my arrival in the former District of Columbia…

…I exited my Amtrak Iron Horse after she galloped safely into Washington’s Union Station, thinking I would be a clever chappy by using the mighty D.C. mass transit system to reach my final destination – the Washington Hilton, home of the 2010 PRSA International Conference as well as the place where then-President Ronnie Reagan was shot at by a slithering toad (and Jodie Foster aficionado), named John Warnock Hinkley, Jr. back in 81′.

I must confess to being a bit of a tech junkie, as I was aptly armed on my journey to Washington with my Android phone, an iPad, an iPod and a computer loaded to the silicon gills with what I hoped would be a delightful tiptoe through the social media glory of a Website that The Mechanism had built for Flight of the Conchords. The comedy pop duo and former HBO stars are now likely the bona-fide and rightful owners of the country of New Zealand after a successful tour of Europe and the United States during the summer of 2010.

In addition to my shoulder pack containing every electronic device known to human, I was slugging my suitcase, a freshly-pressed suit, and finally, a three-foot-by-two-foot flat slice of unassuming cardboard, which contained some very nicely designed and rare Flight of the Conchords posters (graciously donated by the band’s management), which I was truly excited to give away to some lucky attendees of my chat at the PRSA Conference. I figured if I really bombed as a speaker, my saving grace would be at the end. After the boos had ended and the cat calls of “Well, look at Mr. Social Media Tough Guy!” had subsided, I could whip out a couple of fancy posters – and much like Houdini shackled in a chest in the ocean – escape as the awesomely heroic “Pied Piper of Social Media”, dancing my way into everyone’s hearts and minds.

So…I’m inside the cavernous Union Station in D.C., seeking advice from my Android for the best mass transit route to my destination. After several moments attempting to locate the subway station on the Google map and giving up, I walked out into the afternoon air. I strolled like a knucklehead toward the first person who looked like a native of the city and pulled some real “old-fashioned” social media mojo on them by personally asking how I could get to the Washington Hilton on Connecticut Ave.

“Well, that depends which side of Connecticut you want to go to,” she politely said, indicating to me that not only were there at least two Hilton hotels in Washington, but there were two Hilton hotels in Washington in opposite directions of the same street. It was at that precise moment that I realized that the cardboard poster container that I had held so dear to my survival at the PRSA Conference had been left back inside Union Station against the wall.

I politely, yet discretely excused myself from my conversation and high-tailed it back into Union Station. Surprisingly, and mercifully, the Social Media Gods were shining down on me, and the posters were safely leaning against the wall, exactly where I left them. I grabbed them, kissed them and returned to my journey.

I should have realized the trouble I was about to be in and taken a taxi immediately…

The underground mass transit snake that I boarded took me swiftly to Dupont Circle, which a kindly fella in the Metro Station had told me was in the vicinity of the hotel. In my opinion, this particular destination is possibly a portal of hell, resembling – from a birds eye – an unholy nucleus of evil incarnate, with none other than 12 streets slithering from it’s demon heart in every direction. Of these 12 foul streets, four of them bear the name Connecticut, and both directions from Dupont Circle are suspiciously named “Connecticut NW”.

For the next hour and a half, I wandered aimlessly in every direction but the correct one, carrying a computer bag, my suitcase, a freshly-pressed suit and finally, that 3-foot-by-2-foot flat slice of cardboard which contained some very nicely designed, and as I’ve mentioned, rare Flight of the Conchords posters. After leaving a trail through the Dupont area that could only be compared to the flight of a brain-damaged hornet, my destination was in sight. Halfway up the hill, I squinted my tired eyes to gaze upon the Hilton sign and the place where I would be speaking about Social Media, the Flight of the Conchords Website and be giving away some very nicely designed – and as I’ve mentioned extremely rare – Flight of the Conchords posters.

But I didn’t have the cardboard container.

With sore feet, a sour disposition, an aching back from carrying a now sloppily packed and disheveled suit, a computer bag and a suitcase on wheels worn to a bloody axle, I realized that at yet another point on my now Oddyssec journey from Union Station to the Washington Hilton, I had inexplicably put the posters down again and left them behind. Rather than go absolutely ape-shit (like anyone else could have rightfully done in my opinion), I decided to slug back down the hill, with all of my crap dangling from me and try to find the posters…

After another half hour attempt to recapture the true magic of my mindless path (exemplified by the blue line on the map below), I realized that it wasn’t to be. I scaled the hill to the Washington Hilton and checked in – truly defeated and anticipating a hissing horde of social media gurus to torch me at the end of my presentation like Frankenstein's Monster or the Hunchback of Notre Dame, without the necessary lifeline of my fancy posters to save me from certain doom. If you want to learn more about social media and more specific about how it is used in marketing campaigns, visit Func.media. People can chek out this link https://sobeviral.com/start-your-marketing-agency/ for the best marketing services.

The grim details of our hero’s journey through the wilds of Dupont Circle

Needless to say, this story ends quite happily. After dropping everything off in my lovely hotel room, I gallantly retraced my steps and located the three-foot-by-two-foot flat slice of cardboard (containing some very nicely designed, rare and likely expensive Flight of the Conchords posters) – laying casually in the street, exactly where I had left it. My talk went well, as evidenced by the well wishers, tweeters and generally friendly folk at the PRSA Conference. Some of the attendees gleefully walked out with some fancy Flight of the Conchords posters devoid of any desire to boo, beat or burn me like a social media Quasimodo, lost in the unholy maze of Dupont Circle.

Dave Fletcher is the Founder & Executive Creative Director at The Mechanism, a multi-disciplinary design agency with offices in New York, London and Durban, South Africa. He is also an avid Social Media junkie as evidenced by the number of confused Gowalla and Foursquare check-ins that occurred on his hellish trip through the wilds of Dupont Circle. He also wants to thank Albert Chau, the photographer who sent over the photographs from the 2010 PRSA Conference and the fine staff of PRSA for a grand old time in Washington D.C..

Published by: davefletcher in The Internal Mechanism
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October 15, 2010 - Comments Off on Staying On-Brand With Social Communication

Staying On-Brand With Social Communication

I recently penned a little piece over at the PRSA Blog, entitled Staying On-Brand With Social Communication, in preparation for my talk this Sunday, October 17th, 2010, at the PRSA International Conference in Washington D.C.. Below is an excerpt from the piece, which can be visually consumed in its entirety at this link.

In order to thrive in social media, you need “socialized media”, (which incidentally, should never be confused with “socialized medicine,” the kind of stuff that will surely get you into many fascinating conversations at any public space in Washington, D.C. — where coincidentally on Oct. 17 at 4:45 p.m., at the PRSA 2010 International Conference: Powering PRogress, I’ll be presenting a session titled, “Compelling Social Media Strategies: Soaring With Flight of the Concords”)...

If you're in D.C. this weekend, feel free to hunt me down on Foursquare or at Gowalla.

Published by: davefletcher in The Thinking Mechanism

September 28, 2010 - Comments Off on Dave Fletcher Discusses the Social Media Strategies Behind “Flight of the Conchords”

Dave Fletcher Discusses the Social Media Strategies Behind “Flight of the Conchords”

PRSA 2010 International Conference presenter Dave Fletcher, founder and executive creative director, The Mechanism, speaks with Eric Schwartzman, host of “On the Record…Online,” about the stellar social media strategies behind HBO’s “Flight of the Conchords.” Listeners will gain access to the various tools and applications behind the success of the talented duo’s popular website and will learn tips on building a seamless and highly interactive website. Fletcher will present a session titled, “Compelling Social Media Strategies: Soaring With Flight of the Conchords,” at the PRSA International Conference in Washington, D.C., on Oct. 18.

http://bit.ly/bjFKFg

February 4, 2010 - Comments Off on I Pad, U Pad, we all iPad

I Pad, U Pad, we all iPad

Apple unveiled the mighty iPad last week after a targeted carpet bombing of pre-event hoopla, far too many misfired “leaks” and eventual lukewarm excitement. Of course, the people who were unable to devise the device immediately went to work, spending unnecessary time and brain cells shouting from their favorite mountaintop called Twitter, making fun of the name and comparing it to lady stuff...

Geeks are funny creatures. If this device was called an "iTab" they probably would have made soft drink jokes - All that talent and occasional genius is sadly wasted on a single, albeit funny observation instead of trying to figure out some undocumented and innovative uses for the thing. Trust me, as soon as someone starts waving real development cash at the naysayers, they'll be singing the praises of the “innovative” and even “magical” iPad; salivating to build apps quicker than you can bark the word “Pavlov”...

For those who are interested in actually using the device, it really doesn't matter what the thing is called - as much as what it can and cannot do.

The iPad has a couple well-documented drawbacks:

  • iPad doesn’t do Flash (more about that later). This means no Hulu, YouTube or other currently Flash-enabled video sites for you on the iPad Safari Web browser...
  • iPad doesn't multitask, so you can't listen to music while penning your brilliant blog post, notes or novel. This is a “deal breaker” for the countless hordes who apparently planned to brutally smash their trusty old iPod on the way out of the Apple store with their iPad. The truth is, people have grown accustomed to hoofing around several devices in their backpacks, shoulder bags and/or pockets. Despite our Utopian dream of "one device to do it all," as technology changes and new things are devised to keep us from having actual conversations with other live humans, there will always be another “thing” to stuff into our ever expanding satchels o’ plenty.

The iPad's strength isn't that it plays music, movies, games like the Big Buck Hunter arcade or that it surfs the Flash-less Web. The iPad gets it's real mojo as a comfortably-sized, compact and usable device that doesn't require an attached keyboard, a mouse or a constant power source to input notes, data or, more importantly, read published materials. Everything else it comes loaded with, simply helps to justify the price point. The iPad could really show true muscle for students, teachers and classrooms and by eventually saving and/or enhancing the suffering magazine publishing business. But to do this effectively, Apple needs to cozy up to college kids to make the iPad truly a thing of “magic”.

So, while we're waiting for the iPad to do a keg stand at a college dorm near you, here are some things that Apple and it's partners should concentrate on to help the iPad live up to it's promise:

  1. Create an exclusive network for students. College textbooks should be available via a subscription service on the iTunes store so you can burn those oversized, overweight, overpriced books like Guy Montag and plant some trees. As a specific textbook’s information is enhanced or corrected, it should automatically be updated, just like your iPhone/iPod currently informs you when a purchased application has been updated. Software developers for the iPad should focus on applications that will make lecture note taking and sharing, as well as commenting on digital textbooks simpler. Imagine downloading a textbook for your class and having the benefit of seeing the best notes from a global network of past students. To avoid reading irrelevant notes, a system could be put into place allowing students to rate other students notes, making only the useful stuff rise to the top.
  2. Expand the iTunes store to include magazine and newspaper subscriptions asap. Save that dying, ink-laden, forest-chomping horse as fast as you can. Obviously publications will need to embrace HTML 5 for any video content, so start brushing up, if you're planning on developing for a future publishing industry.
  3. Allow musicians to plug in. With GarageBand already part of iLife, in the future I hope to see musicians with guitars from this guitar pickups reviews, iPads and a dream sprawling out in Prospect Park writing tons of crap they can sell to their relatives on iTunes with the help of TuneCore.
  4. Advancement and advocation of the HTML 5 specification. Apple has been very clear: they refuse to get into bed with Flash. They view Flash as an uncontrollable source of application crashes - not to mention a bandwidth and processing hog - and as a designer and developer who has worked with Flash, they are partially correct. Many of Flash's novice developers know only a little about the scripts and techniques required to deliver the most processor-efficient experiences. ActionScript, the scripting language behind Flash has been massively changed and enhanced over the years, leaving the true Flash programming to true programming wizards who have worked with it since the introduction of ActionScript 1.0 with Flash 5 in 2000. The future promise of HTML 5 has begun to make the use of Flash increasingly irrelevant and unnecessary for simple video and audio players. Even Hulu will come around as well if first the audience - and eventually their advertisers request it. This prospect of course, sours the folks at Adobe. They will run myriad ads over the next couple months attempting to convince the masses of the perceived inferiority of the iPad because it doesn't have Flash. But it's really just fear.
  5. Shhh...the word on the street is that the iPad may have a camera. In fact, the Software Developer Kit (SDK) for the iPad currently has "Take a Photo" as a programmable menu item, so maybe the dream of video conferencing or even augmented reality with the iPad will come true (or not)...or some Mountain Dew-gorged developer at Apple has just gotten a “mouthful of fist” from Steve Jobs because they forgot to remove the "take a picture" menu item from the iPad SDK...

Apple has a history of using current devices to test out and eventually surpass the last one. Look at the history of advances that have been made to the iPod since it came out in 2001. I’ve got 4 of them, each with enhanced features.

Just like the iPhone was a jacked up phone with a serious music player and a savvy integration into a robust online store, the iPad jacks things up further, but in a slightly different direction. Who wants to seriously read books or watch movies on your iPod or iPhone? You can right now, you know. They've been testing out the iPod and iPhone as an eBook reader and video player to lead us like slobbering zombies to the iPad. Whether the vast Apple audience realize it or not, we support their innovations by historically testing them and upgrading our devices to the next big thing.

Will the iPad be larger than life? Will it raise Apple stock prices and Apple profits? Will Google become the new Microsoft?

Regardless, is the amount of chattering, twittering and blogging out there an indication of how quickly the masses will line up for a shiny new iPad?...

...Possibly, iSay.

Published by: davefletcher in The Thinking Mechanism
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