April 20, 2007 - Comments Off on Edward Tufte in New York

Edward Tufte in New York

Edward TufteEdward Tufte will be in New York April 24–26—none of these one-day courses are sold out yet. Register here.

The fee for the one-day course is $380 per person. This fee includes all four books, Visual Explanations, Envisioning Information, The Visual Display of Quantitative Information, and Beautiful Evidence. The fee for full-time students not currently employed is $200; provide a copy of the current student ID and phone number of school registrar. There are no other discounts.

Tufte writes, designs, and self-publishes his books on analytical design, which have received more than 40 awards for content and design. He is Professor Emeritus at Yale University, where he taught courses in statistical evidence, information design, and interface design. His current work includes landscape sculpture, printmaking, video and a new book.

Published by: jeffreybarke in The Design Mechanism
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April 11, 2007 - Comments Off on New York Web Standards Meetup Group

New York Web Standards Meetup Group

The New York Web Standards Meetup Group and the New York Semantic Web Meetup Group will be meeting at theMechanism on 19 April 2007 at 6:30 pm to discuss webcam motion tracking using Flash and query languages for RDF. Jqln to present.

19 April 2007 . 6:30 pm
theMechanism|eEmerge
440 9th Avenue 8th Floor
New York, NY 10001 [map]

Please contact us if you’d like to present at the May or June Meetup.

Published by: jeffreybarke in The Programming Mechanism

April 4, 2007 - Comments Off on The MechCast: 107

The MechCast: 107

Dave, Josh, Jeff and Tony chatter about recent projects, 30 Days 'til I'm Famous and celebrity racism. theMechanism also talks about bad design, using cute characters in design, celeb designers and more about Anna Nicole Smith.

Go and get our 7th delicious Episode

Published by: davefletcher in The Mechcast

April 1, 2007 - Comments Off on Rescue Internet Radio

Rescue Internet Radio

from Free Press:

Online music is in danger. A recent ruling by an obscure regulatory board threatens to put independent and public radio on the Internet out of business.

The "Copyright Royalty Board" is dramatically increasing the royalties "webcasters" must pay every time they stream a song online. Public Internet radio like NPR is especially at risk.

The rules could shut down nonprofit and smaller commercial Internet radio outlets and force larger webcasters to play the same cookie-cutter music as Clear Channel. So much for new online alternatives.

Rescue Internet Radio—Sign the Petition:
http://action.freepress.net/campaign/internetradio

Read more

Published by: jeffreybarke in The Thinking Mechanism

March 28, 2007 - 26 comments

Safari CSS hack

Please note that this hack does not work in Safari 3. The updated hack is here.

While I’m not a fan of CSS hacks in general, there comes a time when nothing else will solve the problem. This was the situation this morning—the site looked perfect in every browser except Safari (due to a background repeat bug), and I needed a quick way to apply CSS rules to Safari alone. Here’s the hack:

Place the pound sign ( # ) after a semi-colon ( ; ), all styles within those brackets and the remainder of the stylesheet will be ignored in Safari.

Example: The following code will make any <p> assigned the callout class red with normal font-weight in Safari, but black and bold in the rest of the browsers.
p.callout { color:#FF0000; font-weight:normal; }
p.callout { color:#000000; font-weight:bold;# }

[demo]

Tested on Mac OS X version 10.4.9 with Safari version 2.0.4 (419.3) and Mozilla Firefox version 2.0.0.3. Tested on Windows XP SP 2 with Mozilla Firefox version 2.0.0.3, Opera 9.10, and Microsoft Internet Explorer 6 and 7. Hack from bballcity

Published by: jeffreybarke in The Programming Mechanism
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March 27, 2007 - 2 comments

New York Web Standards Meetup Group Presentation

These are the notes to my recent presentation on AJAX and forms to the New York Web Standards Meetup Group. These notes were purposefully left open and vague to facilitate discussion based on attendees’ interests—during the presentation a lot of good questions were asked. That dialogue is not represented here.

Hello, my name is Jeffrey Barke. I’m the Senior Developer and Information Architect for the US office of theMechanism and I plan on talking briefly about how to easily use AJAX to improve the usability of forms and admin/control panel interfaces.

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Published by: jeffreybarke in The Programming Mechanism

March 16, 2007 - 2 comments

mini AJAX version 1.1.1

Updated mini AJAX yesterday after I discovered a function name conflict in Internet Explorer 7. This conflict only occurs if one is using mini AJAX in tandem with Prototype [which we do all the time]. For some unknown reason, this hadn’t been a problem for any of the other browsers [Safari, Firefox on Mac and Firefox, Opera on PC], but it caused the script to fail ignominiously in Internet Explorer 7.

So, if you downloaded mini AJAX from this site prior to 16 March 2007 and plan on using it with Prototype or script.aculo.us, please download the latest version here.

Published by: jeffreybarke in The Programming Mechanism

March 14, 2007 - Comments Off on Karakuri (Mechanism)

Karakuri (Mechanism)

Wadokei (Japanese clock)While reading Naruto the other day, I noticed that the author, Masashi Kishimoto, had previously done a series titled Karakuri, which was translated as “Mechanism.” I had no idea what type of mechanism Karakuri were/are, but since I love anime, automatons, and answers, I had to know more. Here’s what I found:

Karakuri ningyo are mechanized puppets or automata from Japan from the 18th century to 19th century. The word “Karakuri” means a “mechanical device to tease, trick, or take a person by surprise.” It implies hidden magic, or an element of mystery. In Japanese, ningyo is written as two separate characters, meaning person and shape. It may be translated as puppet, but also by doll or effigy. (Wikipedia)

Japan’s love of robots lies in the history of the Karakuri Ningyo. Until now there has been little interest from outside Japan regarding the Karakuri Ningyo craft, and its influence on technology and the arts. (Karakuri.info)

The Japanese Karakuri puppets utilise subtle, abstract movements to invoke feeing and emotion. There are three main categories of Karakuri. “Butai Karakuri” are puppets used in the theatre, “Zashiki Karakuri” are small and can be played with in rooms and “Dashi Karakuri” puppets perform on wooden floats used in religious festivals. Traditionally Karakuri appeared in religious festivals, performed re enactments of traditional myths and legends and entertained the public with their sophisticated, symbolic and graceful gestures. (Karakuri.info)

More information:

Published by: jeffreybarke in The Design Mechanism